Marquee
Appeal
Sheena
Easton is happy to add 'Dreamcoat' role to her
resume
By
ORLA SWIFT, Staff Writer
RALEIGH
-- Sheena Easton seared her sex kitten image into
mid-'80s pop culture consciousness with breathy
hits such as "Strut" and the erotic,
Prince-penned "Sugar Walls."
So it may be a surprise to hear a fellow cast
member in N.C. Theatre's production of "Joseph
and the Amazing Technicolor Dreamcoat" say
that Easton fuels her role as the Narrator with
a strong maternal aura.
Of
course, that maternal aura may stem from the facts
that the former video vamp is a mother of two
and that she has covered a lot of ground since
her days singing alongside the Purple One.
"Nothing
scares me," Easton says. Indeed, without
risk and change, her career would have ended long
ago, after she broke onto the pop charts in 1981
with "Morning Train (Nine to Five),"
a tune about a dutiful wife waiting at home for
her hard-working hubby to return from his job.
"If it was one thing over and over again
-- if I was the purple cat in 'Cats' or something
for the next 15 years -- I'd quit," she says.
"I know people like that. I have friends,
and that's their resume: 'I've done "Les
Miz," every production,' whatever it is they
say. Good for you. I'm sure you're the best in
that role that there will ever be in the world.
But I'd kill myself. I have to mix it up."
Now
46, Easton has had a solo show for years at Aladdin
Resort & Casino in Las Vegas. She starred
on Broadway in "Man of La Mancha" and
"Grease." She played the wife of Don
Johnson's character in television's "Miami
Vice," and she plays Queen Anne in PAX TV's
"Young Blades."
The
Scottish-born actor-singer has been busy behind
the scenes, too. She was the voice of the Irish
setter Sasha in the animated film "All Dogs
Go to Heaven 2" and the related television
series, and she has done voices for various characters
in Disney's animated "Gargoyles" series.
Ever
since she arrived in Raleigh for rehearsals, Easton
has been putting in workdays that make 9 to 5
seem like a siesta.
"I
get here at the crack of dawn every day, and she's
the next one here with her iPod on, working through
everything," says "Joseph" director
Casey Hushion, 27, who also directed NCT's recent
"The King and I" with Lou Diamond Phillips
and "Jekyll & Hyde" with Sebastian
Bach.
"She
has this incredible level of integrity that's
been inspiring our whole cast to step up to the
plate and do what she's doing, and put in that
much work and that much passion and that much
heart," Hushion says. "So she's been
an inspiration that way."
A single
mom, Easton says she wants her children to learn
good work habits from her. A four-time divorcee,
Easton adopted two children, Jake, 10, and Skylar,
9.
"I
use my job as a way to stress responsibility:
'Everybody's part of a team and even your boss
has a boss, and even though Mommy doesn't have
an obvious boss, I still have a boss. When I'm
working on a show, my director's my boss. My producer's
my boss. The audience expects me to be there.
They're my boss,' " she says.
"So
I try to set examples like that and just let them
know that the entertainment industry isn't just
glamour and showing up and dressing up and getting
a big fat paycheck. It's work and discipline and
rehearsal and learning. ... They see that it's
not all fluff and puff."
They
can see other things, too, if they look hard enough.
Surf to VH-1 for a video of "Sugar Walls"
or peruse a used record store for some old Easton
album covers, and the words on her pouty lips
don't appear to be "work hard." Surely,
Mommy has had some explaining to do.
Nah,
says Easton.
"My
kids know that a miniskirt and big hair and a
quick toss of the hair and a pout at the camera,
that's acting. That's you being that moment,"
says Easton, who won two Grammy Awards. "You're
acting out what the song is, that's what you're
doing."
The
key is humor, she says.
"Even
now, when I put on my makeup and I'm ready to
go out, I'll go, 'Do I look FAH-bulous?' They'll
go, 'Oh, Mom.' It's like, 'Please,'" she
says. "They'll look at a video and go, 'Ha!
You look so funny!' I'll go, 'Hush! I was fabulous.'
"
This
will be Easton's first time as the Narrator in
"Joseph," a role she says she's been
approached for many times over the years. N.C.
Theatre's short rehearsal and performance schedule
enabled her to squeeze it in.
"Joseph"
was the first collaboration between Andrew Lloyd
Webber and Tim Rice, who also co-wrote "Jesus
Christ, Superstar" and "Evita."
Ray Walker will play Joseph, as he did for N.C.
Theatre in 1998 and as Donny Osmond's understudy
in the North American tour. He said Easton adds
dimension to the Narrator role.
"There's
a real theatrical quality to her voice that I
don't think people have heard before," says
Walker, whose Broadway credits include "Jesus
Christ, Superstar." "With a lesser actor
or vocalist, you can lose the Narrator. But she
has such a commanding presence that you're really
listening to her the whole time."
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